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The phrase “80's rock” calls certain things to mind: big voices playing big arenas singing big power ballads to big crowds with big hair. Bigness in all its forms, in other words, was the key to the era.  [http://watchrockofagesonline2012.wordpress.com/ Watch Rock of Ages Online]  And it’s this part of the 80s rock scene that the new musical ‘Rock of Ages‘ gets right - maybe a little too right.

This film is one towering tribute to excess. Clocking in at over two hours and featuring 900 songs (approximate), it feels like an entire decade of music crammed into one supremely excessive movie. They didn’t pour some sugar on this thing; they poured the whole friggin’ box. And then they lit the box on fire and threw up some mock-sinister devil horns.

The cast is so huge it makes ‘Nashville’ look like ‘Secret Honor.’ There’s the idealistic young bartender (Diego Boneta), who wants nothing more than to rock (ROCK!!). There’s the idealistic young waitress (Julianne Hough) who wants nothing more than to watch the young bartender rock. There’s the washed-up rock club owner (Alec Baldwin) and his sidekick (Russell Brand) who want nothing more than to own their bar and not pay their back taxes. There’s the difficult pop singer (Tom Cruise), out of inspiration, exploited by his oily manager (Paul Giamatti), lost in a fog of booze, who wants nothing more than to pull himself up from the bottom of Act 2 of his own personal episode of ‘Behind the Music.’ There’s the mousy Rolling Stone reporter (Malin Akerman) who wants nothing more than to interview Cruise’s Stacee Jaxx, and possibly and also to have sex with him. There’s the mayor of L . a . (Bryan Cranston) who wants nothing more than to fuss along with his secretary, and his wife (Catherine Zeta-Jones) who wants nothing more than to cause you to consider Tipper Gore and her anti-hip hop crusades whenever she’s onscreen. If you’re sick about reading about every one of these characters, imagine generate an income feel: I needed to type it all.

That’s lots of people and plotlines to get a movie already, and that’s prior to deciding to add in wall-to-wall musical numbers. There was plenty of great, schlocky pop songs inside the 80s, and ‘Rock of Ages’ features all. A number of the cast can sing, like Boneta and Hough (who deliver a version of Foreigner’s “Waiting For a woman Like You” that’s sultrier compared to the original) and a few with the cast is Alec Baldwin. The hits come at you fast and furious, sometimes several at the same time in manic series mash-ups. No characters in ‘Rock of Ages’ do cocaine, nevertheless the film is shot and cut in that frenzy of song and dance, you could wonder in the event the editors did.

The sole time the movie pauses for breath occurs when Cruise’s Jaxx saunters to the film inside the second act. Unlike all others in ‘Rock of Ages,’ Cruise isn’t just milking the setting for kitschy laughs, maybe because as a real icon with the 80s, he’s got much more respect for your period. He takes the concept of Jaxx being a washed-up has-been seriously - why is this so? Until ‘Mission: Impossible - Ghost Protocol’ some time ago, Cruise was needs to look like a washed-up has-been himself. He brings pathos to his drunken stupor and honest-to-God star chance to his musical performances. It’s like Cruise saw Jaxx as his possiblity to go the Mickey Rourke route in ‘The Wrestler’ - to tackle his fame and his struggles and his weirdness head-on - that is a bold choice in a movie that introduces his character while he’s wearing leather chaps, a thong, plus a metallic codpiece in the shape of a demon.

Everything Cruise does has clear purpose: gestures, posture, tattoos, even his voice, perpetually raspy from a lot of boozing and screaming. He oozes a great deal carnality you recognize why Catherine Zeta-Jones is so determined to destroy him (which can be good, considering that the Sunset Strip with the remaining portion of the movie is so PG-13 cutesy it wouldn’t offend a nun). With long, probing stares, uncomfortable pauses, Cruise draws you into Jaxx’s world. He’s mesmerizing. He’s also in a different, if arguably superior, movie compared to the remaining portion of the cast.

‘Rock of Ages’ is founded on a Broadway “jukebox musical,” the place where a story is written to allow for a score of preexisting songs, plus bringing that musical to the screen, director Adam Shankman made zero accommodations to audiences who might similar to their power ballads in slightly smaller doses. Everything the following is big: the successes (a duet between Baldwin and Brand scores huge cheeky laughs, along with a sex scene between Cruise and Akerman) as well as the failures (Boneta’s character’s serious issue - stage fright - can be a weird phobia to get a guy who wants to sing “Juke Box Hero” during a crowded Tower Records to get).

Reviewing the crazily extensive soundtrack, it occurs to me that most with the titles describe the experience of watching this occasionally amusing but ultimately exhausting film: “Any Way You need It,” “Here I am going Again,” “Heaven Isn’t Past an acceptable limit Away,” and, needless to say, “Don’t Stop Believin’” - particularly the line that goes “Oh the movie never ends, it is all night and also on and also on

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